Polaroid Image Transfer process 4 - Troubleshooting Problems and Final Notes

Initially, I frequently had trouble with reliably separating images, especially ones which had black or very dark values. They would have a tendency to lift off or become distorted. Sometimes this was an admirable element but in other cases it destroyed the look I wanted. Following a suggestion from Kathleen Carr, I began experimenting with doing the separations underwater. I prepare a tray of warm water prior to processing the film, and have it ready for this step. Taking the paper from the warming tray directly to the warm water, I submerge it and then immediately begin pulling back the negative, which is still on top. It is quite important to do it very slowly, even under water. Complete the separation and then carefully get the paper out of the water. The image transfer is very fragile at this stage, so be cautious about how you move it around. Set it on a level horizontal surface to dry.

When using the gelatin soaked paper method, there is one additional step which is needed. The completed transfer must be given a final bath of acetic acid to neutralize the pH and prevent the gelatin from staining the paper. Prepare a solution of 1 part distilled white vinegar to 4 parts of water. Immerse the transfer in this bath for 30 seconds to 1 minute with agitation, then remove and rinse in running water for 2 to 5 minutes. I find it best to allow the transfer to dry somewhat before doing this final acid rinse step due to its softness.

Finally, allow the finished transfer to air dry. Forced drying with a hair dryer generally gives poor results as the paper tends to buckle badly. Even with gradual air drying the Arches has a tendency to curl, so I use tape along the edges to hold the paper as it dries and shrinks, leaving a flat final image. If your papers curl you can use a dry-mount press on a low setting to flatten them once they are completely dry.

One last note-- I have also done experimentation with a variety of Japanese “rice” papers and these can create a different and exciting look for the image. Look for papers which have a fairly smooth surface however, and which are strong enough to hold up to being wet without falling apart. The Japanese Kitakata paper is excellent. Use a mister or spray bottle rather than a tray to moisten these kinds of paper, and do not use a gelatin soaking.

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